The Year of the Dark

Wesak has concluded with another successful start to the spiritual year.  This year is the Year of the Dark; that is, the main spiritual lesson for this spiritual year, and for the ongoing evolution of this planet, is the ability to face the Dark, or the Void, without reacting from fear.  It is in many ways understandable that our instinct when facing the Dark is one of fear.  Within the Dark, or the Void, there is no light, no form, no shape, nothing that reflects back to us.  We often do not realise how much we depend on the world reflecting back to us for our sense of self, as well as our sense of what is happening in the world.  Without this reflection from outside ourselves we are forced towards our own centre.  If that is not there, if we do not have a strong sense of our own self, a strong connection to our own centre or the resonance that is our true essence, then we will become lost in the formlessness of the void.  Without a strong sense of our own self, when all that is reflected back to us is nothing, we can very easily become nothing ourselves.  And it is that fear which we take into the void.

Did you ever watch the original Star Wars trilogy?  In the second one, while Luke is undergoing his training as a Jedi, Yoda takes him to a place within his forest that is strong in the dark side of the force.  It is an eerie place, dominated by a large, dark tree.  It is under this tree that Luke has to go.  Just before he enters he turns back towards Yoda and asks, "What's in there?"  and Yoda replies, "Only what you take with you."  When Luke entered he saw Darth Vader (he did not yet know Darth Vader was his father) and killed him.  What he had taken with him was his fear, and that is what he manifested. 

This immediate manifestation of our fear is what we achieve without a strong sense of self, or confidence or certainty.  Without certainty, the formlessness of the Void or the Dark triggers our fears, and then that is what we manifest. 

Form is essential to our sense of control in the world.  As soon as energy or consciousness takes form it is immediately limited to some degree, and we have some awareness of what we can expect from it.  We seek form in many different ways, including putting people into different boxes.  This is one way we seek to have some sense of control or predictability in our world.  In the Dark there is no form, so we do not have this first level of control.  The only control we have is what exists within us already.

That is both the gift and the terror of the dark.  The only certainty we have within it is that which exists within ourselves.  This is what we are being challenged to learn in this spiritual year; to find our own internal certainty to give us a centre even with the Void of the Dark.

I wish you all the greatest joy and many blessings in your continued journey,

Dr Catherine Wilkins, Director, Fractology.

 

Crystals of Mastery

One of the most interesting parts of creating crystal networks and doing environmental clearing and enhancing work for people is when I get to work with Master Crystals.

What is a Master Crystal?  Strangely, it is exactly what it says - a crystal that has achieved mastery of its own consciousness.

Here at Fractology we recognise not only that everything is conscious, we soon learn to work with that consciousness.  This has tremendous benefits in enabling our work to be easier and more effective, with a wider and more stable effect.  Whatever we are working on is involved in the work, from its integrity, and crystals are no different.

When we work with other consciousnesses, we soon learn that some of them, like us, are less aware while some of them are more aware.  Those that are less aware we work with by first carefully checking their integrity or fractal pattern to ensure the work we are getting them to do is one that will truly serve them and their spirit.  Then we know they will enjoy the process and so not only not resist the work, but actively support it. 

However, it is in working with those that are more aware that we are concerned here.  Master Crystals are 'awake' in a way that other crystals are not.  Their mastery comes from the same source as the mastery of the Master Tree we met during the Wesak retreat, they know who They Truly Are and do what they can to live in their integrity.  Working with Master Crystals is a pure joy because it is just like having a partner to work with. 

A Master Crystal will support and work a crystal network in much the same way that we ourselves would.  They are, of course, doing this as an expression of their own integrity so, as always, it is important to be able to find a Master Crystal whose integrity is in alignment with what you want to achieve.

Recognising Master Crystals is similar to recognising mastery in any form - there is a presence which is self-aware and which can communicate its intentions clearly.  Having a Master Crystal assisting us with our own space and work enables the holding of that space and the creation of the energy for that work to be that much easier. 

 

FRACTOLOGY WELCOMES

We would like to welcome Nicola Adams of Sydney and Al Williams of Wellington, NZ to the Fractology community who have recently begun their Practitioner Training Course.  We would also like to acknowledge Grace Anderson, Jane Bennet and Victoria Cunningham for their recent progress in their studies.  A special mention goes to Jonas Harrow who has made a breakthrough in his understandings that he has been working towards for some time.  

 

UPCOMING EVENTS


July 22nd Sunday – STUDENT TRAINING DAY   and WINTER SOLSTICE  10am to 4pm. This is during the time of Yulefest in the Blue Mountains, and the time of the winter solstice.  So, in honour of the season, we will be doing a special winter solstice ritual to welcome in the energy for the next solar year, as well as our usual training.  Please contact Fractology for details. 

 

August 30th - 31st  Saturday and Sunday, Sao Paulo, Brazil -   THE POWER OF THE HOLOGRAM   A powerful weekend program to give you the skills to truly ground who You Truly Are in the physical, and enable the yourself to attain your true power. 

 

September 6th -7th  Saturday and Sunday, Sao Paulo, Brazil -   WALKING WITH GODDESSES  A residential weekend program for women.  Join us for fun, adventure, good company and an experience to integrate your own goddess into your life, and experience the divine working through you, and as you.

 

September 13th -14th  Saturday and Sunday, Sao Paulo, Brazil  -   MANIFESTING THE HOLOGRAM   This is the second level, and companion to The Power of the Hologram.  It is essential that participants have attended the first level before attending this one.  This weekend will take our awareness of energy and what we can do with it to a level we have not yet experienced.  For many, being pure consciousness is only a nice theory, if that.  During this weekend we will take our first steps towards making that a reality - and a living experience, as we learn how to Be and Do as pure consciousness. 

 


May 24th - 28th 2009 – WESAK: THE YEAR OF THE ANCESTORS.  Details to be confirmed.  Come and join us for an amazing weekend where the physical and metaphysical meet.  This year we will be focusing on healing the body and its role in the collective consciousness.


 

For any events listed bookings are essential. Contact phone numbers are above. Thank you.

 

FRACTOLOGY and ABUNDANCE

It's a curious word, abundance.  What does it mean?

The word abundance has the same root meaning as 'abound', which is from the Latin abundare, meaning 'to overflow'.  As with all words, when we understand their true meaning they give us great insights. 

For us to experience abundance we simply have to 'overflow'.  It is easy while having a physical incarnation to view this in strictly physical terms but of course this is not just physical.  It has a deeper meaning.

When we are able to overflow with the energy of something, it will inevitably 'overflow' into the physical.  Of course, it can also work from the physical to the metaphysical. 

This is what is meant in the Bible when it says, 'to him who has not, even more shall be taken away; and to him who has, even more shall be added'.  What we are overflowing with is our abundance, even if all we have is an abundance of nothing.

 

THE RIVER OF  DREAMS

The river of dreams; even Billy Joel mentioned it in one of his songs.  A frequent motif in dreams is often the crossing or not crossing of a river.  Rivers have been appearing in my clients dreams on and off for a long time, but have become particularly prominent lately.  This is perhaps because of the current energy within the world.  When we are faced with the coming Dark we often have decisions to make that will lead us to the river of dreams.

So what does a river in our dreams mean?

It represents the different phases of our lives.  On this side of the river is the phase we are currently moving through, on the other side of the river is a new phase.  Whether we cross over or not in the dream is a symbol of whether or not we have moved into the new phase or not.

Sometimes the manner of our crossing can also give us an indication of how we are travelling.  I remember one dream I had some years back.  I did manage to cross the river, and there was a bridge.  But did I take the easy path across the bridge?  No.

Not only did I not walk simply across the bridge, but rather across the wire and steel-beam construction under the bridge, up one side of the arch and down the other, but I did it in high heels, balancing on the wire that covered the beams. Which was a rather precarious way to do it.  So I crossed over to the new phase of my life, but it clearly had me feeling like my balance was fragile there for a while.

So how are your river crossings going? 

If you have a dream you would like interpreted please email them to dreams@fractology.info

 

If you have Fractology news to include in the next newsletter please email or send it to us.

Wesak 2008 - report

Thank you once again to all the wonderful people who made this year's Wesak such a success.  Thanks to all the participants who brought their energy and presence to this wonderful journey we are on, and a special thanks goes to Indiana James, resident sculptor at Bay of Shoals Winery, and Linda Jenkins, the Hatperson, who were so generous with their time and in showing us around their working spaces and explaining to us their current works.  Being given an insight into how truly creative people work with the world around us is a privilege.  I hope those who bought hats will show them off with pride!  Thanks also goes to the people of Hogs Bay Apiary who showed us around their hives, enabling people to see the bees, and their queen, at work, such an essential key in the cycle of life.  An extra special thanks goes to Elizabeth Shearman, who has  extraordinary skill with the Tarot cards - even though she will say it is not her, it is the cards.  Which is perhaps why she is so good with them.  We all enjoyed our readings and I know everyone is looking forward to watching them unfold over the next two or so years.

With all of this you may be wondering if we did any work at all!

Which of course we did.  This Wesak was a little different in that the 'out there' work did not truly begin until Sunday morning.  This gave us time to enjoy some of the wonderful sights of Kangaroo Island on the Saturday, including visiting Indiana and Linda, and doing some preliminary work.  We were able to spend some time practising coming into resonance with the world around us.  For this we went up to Kingscote.  This is in the area of one of the earliest sites of the colony in South Australia.  It was only after the failure of this site that the colony was moved to Glenelg, on the coast near where Adelaide came to be.  As a consequence in Kingscote there is the most amazing old mulberry tree.   

Most trees enjoy having a form of collective awareness that they share with the other trees of their own species in their area.  This is one of the reasons why trees do so much better when they are planted in stands, rather than as single trees.  When the colonists arrived they planted many European trees, most of which died when the colonists left.  One single mulberry tree remained.  It was far from its own kind and remained that way for a hundred and fifty odd years until fairly recently when a cutting was taken from it.  As a consequence this tree has become a Master Tree, with a profound awareness of itself unlike any other tree I have ever met.  It has a deep resonance, and a deep well of insight.  It was here that we practised our resonance, and the strength of this tree's resonance made the practise a pleasure. 

On Sunday we spent the day journeying.  We did four major journeys to Shambhala on this day, which was a major effort on everyone's part.  However, we were greatly supported by the energy of the island.  Most of the participants had marked the sudden shift in energies as they were about half way on the crossing over to the island.  It is at this point that the visitor to the island moves through the vortex which surrounds and protects the island.  Those who were most used to working energetically were immediately aware of its effects, and how much easier it was to perceive things as the vortex protected us all from the scattered energies from the collective consciousness and the rest of the world.  On Kangaroo Island, because of the powerful protection of this vortex, it is that much easier to feel your own feelings, think your own thoughts, and work with your own energies without interference.  It is a wonderful place to rest and recuperate, even if we were mostly working!

On Monday we continued our spiritual journey, and made a physical one.  First, we stopped to visit the wonderful Hog Bay Apiary and were given a special tour of the place.  Kangaroo Island is the bee capital of the world; it is a bee sanctuary and has some of the purest hives of the Ligurian bee in the world.  These are 'domesticated' bees in that they have been bred for their relative docility for thousands of years.  So we were able to view the hives closely and get to see the queen at work.  After that we went for a walk up to the headland above Penneshaw on Ironstone Hill.  This is a place where many of the energy lines of the island come together and the place has been enhanced, coincidentally perhaps, by an old threshing circle. 

Threshing, where the wheat is broken down and the grain removed, has always been a process dedicated to the Dark Goddess, for it is in this process that the wheat truly dies, in order to be able to be born again the following year.  The circle here on the headland is relatively intact, with the flat, circular floor and the circle of slate marking it.  The energies of the sight here create a remarkable place to work from, where we were still insulated from the collective consciousness, and yet had a window into it through which we could work.  So on this site we did another journey to Shambhala.  After which we had potato and leek soup and returned down the hill, to go view the Fairy Penguins.  We had seen many of the wonderful Tamar Wallabies on our way up the hill.

Tuesday saw us once again on the road after our morning journeying.  This time we headed further south to the Kelly Hill Caves.  These are a network of caves that run under a large portion of the island.  They are differently formed to many limestone caves as they are not due to a river working its way down through the hill, but by rainwater collecting in sinkholes and undercutting what was once old sand-dunes.  The formations are still beautiful and a crawl through dark places with only a light on our helmets to guide us seemed an appropriate activity for the year of the Dark.  We were all taken on an Adventure Caving trip, where at one point the tour guide got us to turn off our helmet lights so we could sit in the absolute dark.  This is a space where our eyes would never adjust because there simply is no light for our eyes to adjust to.  We sat in the formlessness of the dark, and allowed our bodies to learn the experience of the Void.  For many, it was perhaps this experience that enabled us to take the last step into certainty while within the Dark, rather than responding to it with fear.

That night, we cemented the experience through ritual, which enabled our bodies to be able to further catch up to where our spirits had grown to.  This ritual culminated in a fire and hot chocolate on the beach, under the many brilliant stars that can be seen in the night skies of Kangaroo Island.

Wednesday was our last journey to Shambhala to be present at closing ceremonies.  it was during this morning that many of us were able to make a deeper connection to ourselves, as we realised how death and the dark held one important thing in common; we had no form with which to know ourselves in either of these states. 

With most of us, when we are asked who we are, we give answers that relate to our human existence; our name, or our family, or our job perhaps, or a list of our accomplishments or relationships, or perhaps a description of our bodies.  Yet all of these things belong to this life, this form only.  Who You Truly Are exists beyond and without all of that.  Take away all form, and who are we?

This is the experience we have when we step into the Dark.  With all form stripped from us, and all ability to reference ourselves from the outside removed, we are thrown completely back onto our own internal knowingness.  Perhaps this is the true reason why many of us react to the Dark or the Void with fear. 

And it is a good question; if I cannot use any form, how can I know who I am? 

It was on this final morning that many of us realised it was our resonance.  In the Void, in the Dark, in Death, that is all that remains to us; the deep resonance of our soul which can be found deep within the Soul Seat.  We took this knowledge into our last journey and completed our new level of understanding.

As the ferry was not due to go back to the mainland until that evening, we had a few hours in which to relax.  Elizabeth Shearman, who is a resident of Kangaroo Island, and who reads the tarot cards extremely accurately, was kind enough to come and give us all a reading.  As we were all in a very clear space after our few days of work it enabled the readings to be very clear and I believe we all received some useful information. 

Bringing ourselves full circle back into the world, we then decided to retire to the pub for a couple of drinks before we got on the ferry and returned back to the mainland and the collective consciousness.

So, we had a lot of fun, ate some excellent food, saw some of the sights of Kangaroo Island, and met some of the wonderful and eccentric people who have moved there to escape from the wider world, and achieved some good things for our own consciousness and the collective consciousness.  It was a very successful retreat and once again I'd like to thank everyone involved.

If you would like more information on the Wesak process please click on the link below:

 http://www.fractology.info/Wesak%20-%20The%20Spiritual%20Evolution%20of%20our%20Time.htm

If the link is not working then go to the Fractology homepage, and you will find the article listed in the Spiritual Energy Resource. 

 

 

STUDENT CLINIC DAYS - NEW IN 2008

 

As part of our ongoing commitment to assist new Fractology Practitioners to complete their studies and begin to create their own practices we are starting up student clinic days.  Initially, this will be a trial and we will be doing them on the second Saturday of each month. 

 

During this day members of the public can be treated by Fractology students for the minimal cost of $20, which will go to cover rental costs.  The clinic day will be held at 129 Booth Street, Annandale, NSW, 2038.  Our intention is that this will enable students to find and work on a greater number of case studies, while enabling increased numbers of people to experience Fractology. 

If you would like to be a part of this, as either a student or to receive a student session, please contact us at info@fractology.info

I would also like to take this opportunity to encourage you all to keep working on your training.  The Fractology Practitioner training is a life-changing development course that is undertaken in your own time.  In the most direct way, it gives us a system to express our commitment to ourselves, and to learn to live life as who We Truly Are.

 

 

 

Cosmic Sex, Aesthetics and Energy

What do sex and aesthetics have in common?  And what has that to do with the workings of energy?   

More than most of us would guess.

All creative energy, whether it is used for sex or aesthetics or the creation of any form, is a result of two polarities or dualities coming together.  Sometimes we call these dualities yin and yang, sometimes light and dark, sometimes positive and negative, or sometimes the two poles may simply be complementary colours, but whatever two poles we are using they are brought together, and to a point of balance, that creates a dynamic tension.  When we bring them together the art, and creativity, lies in enabling them to hold to their integrity.  The symbol for yin and yang is a dark area and a light area, it is not one large grey area.  Without each pole holding to its integrity the creative tension between the two of them will be lost and the energy or manifestation we can draw from them will also be lost.

When both poles maintain their integrity, and yet still draw close to each other, they reach a point of such exquisite tension that a resolution is demanded.  We are familiar with what this resolution is within sex, whether that is physical or cosmic (that is, metaphysical or sex that is purely an energy exchange).  Yet all art and creativity has the same principle behind it. 

It is this exquisite tension that demands resolution that we find in art.  When we listen to great music, or view awe-inspiring art, or run our hands over wonderful sculpture it engenders within us that same tension which demands a resolution.  Because the art is fixed in place, holding its tension within itself, the resolution must come from within us.  So we arrive at new ideas or new thoughts or new views on the world through the creative tension that aesthetics hold for us. 

In working creatively it is no different.  By working with the poles of the Universe, light and dark, or Light and the Void, and bringing them into that point of creative balance, and being able to hold that, balanced, within ourselves not only do we experience the energy of that, but the resolution that the energy demands will greatly enhance our ability to manifest.

For more information on different forms of energy or metaphysical matters please go to:   www.fractology.info/spiritualenergy_resource.htm  or email us with your queries at info@fractology.info

 

 

Dark versus Light

- Form, Formlessness and Growth

This is the duality that many people believe is fundamental to existence, and while it is true they are a polar set, it is not because one is good and the other evil.  Both are necessary for the third principle of creation, manifestation, to occur.  It is only when we approach the Dark from a space of fear that that is what we manifest, and then we name it evil, perhaps in an effort to disown our own fears.

We've all done it.  Whether we did it when we were small, and were afraid of the dark of night, or perhaps we did it when we were older and we were afraid of the dark of the unknown in our increasingly unpredictable lives.  We've all bought into our fears.

Walking into, or confronting the Dark, the Void or the Unknown, shows us our fears because it is in such moments that we are thrown back onto our own internal sense of certainty, or fear.  If we do not have a strong sense of certainty within us then we will react from fear, not knowing how else to respond.  This effect is heightened when we confront the Void or the Dark.

Whether we do it consciously or not, we all attempt to create a degree of control in our lives through form.  Once something has taken a form, no matter what it is, it becomes, at least to some degree, limited and predictable.  For example, we can safely predict that the video monitor on which you are reading this is not likely to suddenly begin to melt and run across the table in some Salvador Dali impression.  We can also predict that, with proper wiring in the building, we can safely touch the walls without being electrocuted.  We know we can walk on rock without sinking into it, and we know we can sink into water to cleanse ourselves.  Without the predictability of form our lives would become uncertain to the point of unmanageability.  Even if we have never consciously acknowledged that within ourselves we know it to be true.  And it is light that gives this to us.

It is light that gives us form, and whatever control and therefore sense of safety or security, that comes with it.  This is one of the greatest reasons why we perceive Light as 'good' or 'safe' or 'positive' or 'nurturing'.  Certainly, just as we do when we are small and are developing, having boundaries enables us to find our feet.  They are necessary if we are to achieve our potential.  Paradoxically, the first step in development is to know our limitations.  Light gives this to us, by giving the world form, and so defining it for us.

But as we grow we reach a point of development, of maturity, when we no longer need the external control of form or boundaries.  We still use them as a useful structure with which to assess the world, but when we reach a certain point growth can only come by breaking through those boundaries.  At this point in our growth we need to release our boundaries, move beyond our need to rely on form to give ourselves definition and a sense of our own uniqueness.  At this point we need to find the definition within us.

This is what being in the Dark, stepping into the Void, can do for us.  When we are within the Dark there is no form, no external definition or experience for us to give us a sense of ourselves.  All we have is what is within us.  When we are within the Dark we learn the true state of our self awareness. 

The terror of the Dark is no more, and no less, that the fear we have of our own Shadow.  When we are aware of who We Truly Are the Dark, the Void, holds no terrors for us, because all we experience within the Dark is what is within us, so the Dark brings us simply an intimate experience of ourselves.  When we are ready for this, when this is what we need for the next state of our growth, the Dark, the Void, only holds insight, and blessings, for us and our path in life.

 

 

KorTar Korner 

Here, at Fractology, we have been privileged to gain the benefits of this remarkable new-old technology.   This is something we believe everyone would benefit from using. So we have decided to include this section in our regular newsletter to help familiarise you with some of the great benefits and new ideas that are coming out around this new technology. 

What is a KorTar transducer? 

A KorTar transducer set is a much more sophisticated tool than any others I have come across in my many years of energetic and spiritual work.  This is, in many ways, its biggest drawback; it takes a heightened level of awareness to be able to use them to their full capacity.  For this reason I thought it might be beneficial to dedicate the next few editions of KorTar Korner to this amazing new tool. 

The transducer set comes in a set of three.  Unlike the KorTar KrysTals it is designed to be used as a set, and not individually.  This is what gives it its great power. 

The first element of the set is able to direct the Dark void which is the first principle of creation.  The second element is able to direct the Light energy which is the second principle, while the third element directs and holds the intention to manifestation which is the third principle.  Between the three of them they have the ability to greatly enhance any energetic or spiritual work we may attempt. 

They are extremely powerful so I would recommend either seeking some professional training in using them, or practising with them in private before using them within your own practice.  These are tools designed for professionals, not for the casual user.

How do they work?

A transducer is able to transfer energy from one system, level or dimension into another. As we mentioned in a previous edition of KorTar Korner, there are two ways to use the KorTar transducer;  field transducer therapy, and laser transducer therapy. Today we are going to focus on field transducer therapy. 

This is, perhaps, the easier way to use them as using them this way they can be set up for a specific purpose within a set space and then left alone.  While they remain in place they will continue to do their work. 

How do we set up the field? 

As with all things metaphysical, it is an art as much as a science and you will need to decide what is the most effective method for your intentions to be held within the field.  The way we most commonly use is outlined below, but as always, please work according to your own integrity which, at times, will undoubtedly suggest other methods.

First, decide what you would like to be the pivotal point of the field.  Is it a field you would like to energise things within?  Then the pivotal point is the quartz transducer.  Is it a field you would like to create peace, stillness and expansion within?  Then the pivotal point is the obsidian transducer.  Or is it a field in which you would like to enhance your ability to manifest?  Then the pivotal point is the honey calcite transducer.

To set up a field you'll need, in addition to your transducer set, at least two Radiance KorTar Configurations.  Set up the base pair (the other two transducers - not the pivotal transducer) by angling them so that the beams they send out of their points cross where you would like the field to be.  I would suggest that you have them angled so they cross a couple of metres above the ground, rather than close or within the ground, as this seems to magnify the effect.  Ensure that each of the base transducers are within the centre of one of the Radiance KorTar Configurations.  This changes the nature of the beam from a narrow, laser-type of beam to a much wider beam capable of creating a field.  It is also useful because the configuration can assist to hold the transducer at the correct angle.

When you have your base pair in place, position your pivotal transducer so that its beam crosses at the same point the other two cross.  You may need to attune it very carefully but when it is in exactly the right position you will feel the field 'lock' as all of the beams become coherent with each other.  At that point the field is stable and can begin its work.

I prefer to use the pivotal transducer without a Radiance KorTar Configuration where possible, as this concentrates the energy into the pivotal member of the set.  Using only two Radiance KorTar Configurations with the base pair is enough to produce a field about the size of an average unit, perhaps slightly smaller than the average house.   However, if you need to create a very large space you can use a third Radiance KorTar Configuration around the pivotal transducer.  This creates a very large field, though the concentration of energy into the pivotal transducer seems to be lost to a great degree.

What are some ways I can use it?

I have one such field set up at my home.  I work from home in a number of capacities: I teach students long distance via email, internet and the phone; I do distance healing work, also over the phone; and I see the occasional client in my rooms at home; in addition I pursue several interests of my own, including creative writing.  This diverse work is stimulating but it can also scatter the energy.  By having this field set up within the space it makes it easier to keep the energy focused.  I would advise, however, that if the field includes your bedroom it may be too stimulating for you to sleep easily.  Unless there is something I wish to work on overnight (on other levels) I do not have the field overlapping my bedroom.

Another way this can be used is to assist the work of clients.  By setting the field up in an enhancing way for the clients their work can be greatly facilitated.  I recently set up a  number of these sets for a client in their production spaces.  Their turnover increased significantly once the sets were installed, and has not diminished since.  As many of our clients are not as skillful with setting the energy of their spaces as we are, these transducers give us a wonderful, stable way that we can assist them with that.

Where can I learn more?

 For more information please go to www.kortar.com.au